




Glass Half Full creates new works of theatre using the precise physical language of both humans and puppets to address the momentous issues that humankind confronts across the globe. Our stories are designed to travel across linguistic and cultural boundaries to the heart of the imagination, where together with our audience we strive to probe, to question, to elevate, and to dream.

The Flotilla is a tiny floating island of refuse, adrift on a sea of blue plastic. Characters arise out of the depths, sometimes in the form of human performers, sometimes as objects manipulated like puppets, sometimes as human limbs manipulated as puppets. These characters are unified in their search for meaning in a solitary existence. From the depths of lonely imagination arises a poetic narrative about the transformative power of companionship and a witty examination of disposable packaging.
Featuring original sound by B. Eden Payne award winning sound designer Eliot Haynes (Trouble Puppet's The Jungle) and shadow puppetry by Erin Meyer (Shadow Designer for the Rude Mechs' I've Never Been So Happy).

Glass Half Full is incredibly pleased to announce that we have received a Jim Henson Foundation grant for the 2012 production of Fup Duck.